I hate offended people and I love offending them. They’re the very worst people on the planet…No paper wants to gratuitously offend the reader. Pity, because gratuitous offence, when performed with aplomb, is the funniest thing in the world. There’s moreunpretentious joie de vivre in a single issue of vintage-era Viz than most artists or singers manage in a lifetime. I’d like nothing better than to fill the rest of this page with an unnecessarily florid description of something utterly disgusting happening to a well-known public figure – an 850-word fantasy in which, say, David Miliband unexpectedly develops extreme and explosive diarrhoea while entertaining a group of foreign dignitaries in a pod on the London Eye on the hottest day of the year, to take just one example. But I can’t, because a tiny handful of you would complain.
In my view, the delight such an unnecessary and puerile description would give to myself and others far outweighs the pain it would cause these oversensitive life-spoiling idiots. The offended people.
This succinct, visual explanation, courtesy of WaitButWhy.com, provides some insight into why people like Princeton and Kate Monster might be so unsatisfied with their post-college lives. Basically, “to get to the bottom of why, we need to define what makes someone happy or unhappy in the first place. It comes down to a simple formula:
It’s pretty straightforward—when the reality of someone’s life is better than they had expected, they’re happy. When reality turns out to be worse than the expectations, they’re unhappy.” The following selected visuals sum up the why and how of this happiness problem:
A parodic response to the general complaint that millenials are “lazy,” “self-centered,” “entitled,” “money-obsessed”…
“Puppets are a bit of a Trojan Horse. They’re our way in. Once you get the audience hooked, you can tell them all kinds of truths and they’ll go along with you.” — Avenue Q Co-Creator Robert Lopez on MSNBC
For a World AIDS Day benefit in 2005, the original cast of Avenue Q and the cast of the Broadway revival of Fiddler on the Roof presented a 10-minute spoof of both musicals called “Avenue Jew.” As a brief prologue, Trekkie Monster plays the Fiddler theme and then eats the fiddle. Tevye, his wife Golde, and his two remaining daughters, having immigrated to the USA, arrive on Avenue Jew, an area inhabited by Jewish versions of the Avenue Q characters.
Avenue Q wasn’t the first attempt at parodying Bert and Ernie’s intimate roommate relationship. This 2002 short film by Peter Spears ran at the Sundance Film Festival, but was kept from further distribution when its director was served a cease and desist order by Sesame Workshop’s lawyers. The short is based loosely on The Children’s Hour, a tragic play by Lillian Hellman about unrequited love between two women.